Showing posts with label Phish. Show all posts
Showing posts with label Phish. Show all posts

10 August, 2011

Off Topic - An Anniversary

Just realized, with 3 hours left in the day, that today marks an important anniversary in my life. 15 years ago today, I saw my first Phish show.

Alpine Valley, 1996. A very large group of friends from the Chicago/Galesburg, IL area trucked it up to East Troy, WI - passing by the Mars Cheese Castle and promising to stop there on the way back - and set up camp in some campground whose name is long forgotten by this swiss cheese memory. It was my first time camping since I was a kid, or maybe it was my first time camping ever - my parents aren't exactly the roughing it type, if you dig what I am saying.

Aaaaaaaaaaanyway.

I don't remember too much from that night but I do remember long-stepping down that hill in Pavilion as the band took the stage and went into "My Friend, My Friend". I remember the whistles following "Reba" (which they abandoned for so long and to my delight and surprise, picked back up this summer at Superball IX) and I remember "Rift", the title track from the album that introduced us all to this amazing group of guys. And how awesome was it to get a "Hold Your Head Up" (HYHU) > "Whipping Post" > HYHU series with Fishman running around onstage like a damn fool in a ridiculous moo moo? And the encore of a silly little song called "Contact" ("The tires are the things on your car that make contact with the road") followed by a hot cover of "Fire".

Great show. We went back to our tents that night with ear-to-ear grins and the next day, I got online and started trying to find a ride to the Clifford Ball festival the next weekend. I almost got there. I had the ride from Detroit to Plattsburgh, NY but could not find a way to get from Chicago to Detroit in time. That was one of the few times I regretted selling my '68 Bug to move to Chicago.

The next summer, I promised myself ... the next summer I'll go all the way to the end.

And I did.

Happy Anniversary to me.

19 June, 2011

Past Perfect Progressive

Past perfect progressive tense describes a past, ongoing action that was completed before some other past action. This tense is formed by using had been and the present perfect of the verb (the verb form ending in -ing).
from http://leo.stcloudstate.edu/grammar/tenses.html#past%20perfect%20progressive


Does that make any sense to you? Do you remember learning about that verb tense in school? I sure don't and, as an English major in college, I've had four more years of English classes than most. Regardless, Cassidy is chock full of Had Beens and one of the chores I've set myself in this third draft editing is eliminating at least 70% of them!

I am by no means alone in this: my friend Peter is running into the same issue, as are countless other authors - no doubt. It's funny, I don't find myself talking in the past perfect progressive (hardly perfect, by the way) in daily conversation but writing seems so much more formal a conversation and therefore, apparently, in need of tenses that are not commonly taught in most English classes. My goal in this third draft will be to give Cassidy a more daily conversational tone and less of a formal, elevated (snobby writer) tone.

This draft is going slowly for now as I split my free time in helping my husband with his business accounting but as soon as I can get that to a weekly maintenance stage, I intend to tackle this imperfect, non-progressive language issue along with all the other notes I have amassed (thank you, Mel!) and hope to have a completed draft within a month. And with my hubby strongly considering a solo jaunt* to Phish's Superball IX festival in NY for the weekend of July 4th, my chances increase considerably!

*I have to keep myself excited over the possibilities of completing the third draft in those days home alone to avoid the tears that come from having to miss a guaranteed good time with friends that long weekend. Blame moronic American work standards for that piece of silliness and I will take it as motivation to remove myself from that silliness as soon as humanly possible!

09 April, 2010

Art of the Short Story

When I wrote my 50,000th word during last November's NaNoWriMo, I earned myself a CreateSpace proof copy of my book. In the middle of the month, when I strained to find time and inspiration to continue, this reward kept my feet (or in this case, my fingers) moving ever forward. It won't get me too much closer to The Dream of being a best-selling author but it does - technically - get me part of the way there by being a published author.

The problem is, there is a limited time to receive this reward and despite having written just beyond 50,000 words, the novel was nowhere near an end. My motivation to complete it, however, was ... at its end, that is.

If I haven't mentioned this before, I'm a terrible Closer - a fact that drives those near and dear to me absolutely, insanely bonkers. I'm really good at starting, but that's little consolation when what you've started sits in a closet for two years, waiting to be completed.

I had this idea to make these reusable grocery totes from fabric that had always captivated me when I'd wander the aisles at Joann's or Hancock Fabrics. I didn't need a pattern; I'm actually pretty good at fashioning things like that from scratch. I made a decent amount of money a few years back creating "poster pouches" for the die-hard Phish poster collectors who had to run in and grab the show poster and then worry about its safety for the remainder of the show. So I created these long, slender bags that held poster tubes of various sizes. I lined them with vinyl to help resist water and covered them with cool fabrics like corduroys and interesting patterned cotton and sewed a shoulder strap on so they could be comfortably worn throughout a show for those people who were just too nervous to lay their paper booty on the ground. I created the pattern from scratch on a scratch piece of paper that I've long since lost and went and bought a whole bunch of different kinds of fabric and vinyls and went to town. I created the first one in about four hours and got so I could do one about every three hours.

I don't know exactly how many I made but we sold all but two of them for barely enough money to cover the fabric and supplies, much less labor. It wasn't a very lucrative business given the time it took, the money spent and the limited client base, most of whom only needed to buy one. My husband convinced me to create a wider, longer pouch for tapers but again, limited client base and even more money for more fabric. That may be the one project I started that I actually chose to finish rather than finished without ever making a cognizant choice.

What I'm getting at is I have a short attention span. I'm like a puppy. I jump from thing to thing with a wagging tail and when I grow bored, I jump to the next thing. Or I take a nap. Taking on a novel was a huge thing. My mistake, I think, was making my goal 50,000 words rather than actually finishing the novel. I made my goal, I didn't need to continue. But that's not entirely true. I really did need to continue.

So I have this free proof copy I can use, but I only have till July 1st to claim it. I have an unfinished novel that no longer interests me and a few short stories that keep me happily writing. What to do.

Why not use the proof copy to compile my short stories? I have many. Some will never see the light of day, even with this proof copy - they were practice stories and read as such. Some of them, however, are actually really good. I'm a good writer, better even than I am at creating bags. But I am a short story writer. Besides the 50,000 words I threw together in November, the longest thing I've written before is a 100 page novella that bored me around page 60. Somehow, I persevered and completed the novella but never completed the idea - it was intended to be a series of novellas with a common character.

The beauty of the short story is in its compact nature. I can get in, right in the middle of the action and end it within 25 pages. If I have an afternoon and inspiration (and the ability to block out Facebook and the various other online distractions - the Leechblock add-on for Firefox is great for this), I can write the entire story. Or if not in one day, certainly two or three days is no problem. Because it doesn't drag on, because there are a limited number of words to go from the beginning to the end, the story is all action. There is no need to describe the banister which has been in the family 107 years and polished to a sheen by the sliding asses of generations of rambunctious boys and girls. If a description of a non-essential element of the story goes beyond one medium-length paragraph, it can be edited.

So I started with a story I wrote a couple of years ago. I have no idea where it came from - it evolved from a name that popped into my head. That one is definitely in the proof copy; it just needs a final edit for schlock and it's done. Then a story I wrote a couple of weeks ago inspired by an email I received from myself. That one will need more editing, but it's sitting and I'm forgetting for now. And another story I started a couple of days ago - again, I had a name in mind and wrote a sentence with that name in it and the story began. I found a couple of really old stories on my website that I think I can put in as well; they need a little updating and a lot of editing but they're still really good stories, even from so long ago.

The goal is to get nine stories. I know Salinger already did Nine Stories but nine is my number and I don't have to call it the same thing. But it will be the same thing. Nine stories. I read Salinger so easily because I write a lot like him. So why the hell not.

I just need four more. By July 1st.

24 February, 2010

Stuck in the 1900s

For being the techie that I am, it is surprising even to myself how little I have actually entered the 21st Century. I mean, sure, I have a cell phone with internet access - that came about more from necessity than mere desire: at my job, much of my internet wanderings are blocked by my own department policy, including personal email and it just wouldn't do for me to be blocked from Facebook all day long.

But when your mom tells you in passing that she has a new HDTV and Blu-Ray disc player and you are still gathering around your 27" tube television and hoping that your $50 DVD player doesn't crap out again, you know you're in danger of dinosaur-hood.

I was reading a friend's blog today about instant gratification in the 21st Century and realizing that I am living the life he fondly remembers before the days of Netflix On-Demand and it really isn't so bad. In a less-is-more kind of way, the pomp and circumstance of my once-yearly viewing of The Wizard of Oz endeared me to the story of Dorothy's strange journey (no, it wasn't just a dream, silly!) and it is still one of my favorite movies.

Of course, less isn't always more but with so many channels, I can choose for myself which needs less and which needs more. I own the DVD for Independence Day, my husband bought it for me for one of my recent birthdays because I have a tendency to watch it whenever it is on television, which is a lot. It and Dazed and Confused and several other movies that tickle me in some retro way (or in my sick fascination with the Apocalypse way) will always have the ability to stop my hand on the remote. And despite the fact that I now own several of those DVDs, I will still stop on those movies whenever they appear on television, even as the DVDs gather dust.

It's a Freebie. Same thing when WXRT plays "Backwards Down the Number Line" on my morning commute. Sure, I could queue up Phish's Joy album when I get to work and hear the same version of the same song but it won't make me nearly as giddy as when it randomly appears on the radio without any intervention of my own. Same thing with movies on TV. How many times have I been in a frustrated, I-just-want-to-kick-back-and-lose-myself-in-Hollywood kind of mood only to find The Day After Tomorrow on FX and - voila! - the destruction of New York is upon me?

And while I can be envious of those of my friends who have TIVO or DVR technology (or working iPods, or iPhones or fast computers or HDTVs and Blu-Rays), I know that I would still stop and watch Independence Day every single time I saw it on TBS and that I would only watch The Wizard of Oz every once in a blue moon when the mood hits me just right. That's just the way I'm built.

12 January, 2010

The Year of Gettin? Shit Done

Okay, it?s January 12th ? I think I can finally acknowledge the new year here.

Happy New Year!

So, 2009 wrapped up with my 18th Phish show in one year ? number 80 overall, I think. I remember thinking, back when Phish first announced their comeback, that I was older now and living a more adult life with more responsibilities and that I could never tour for 3.0 (post-hiatus, post-breakup) the way I did for 1.0 (pre-bullshit).

Haha. Yea. Right. Um. Yea. Previous to 2009, my most Phish-dense year was 1998 (13 or 14 shows). Really adult there, Deb.

So, come the turn of the decade, I found myself in Miami, FL for the first time in my life for shows 15 through 18 of this incarnation. Jason secured a P.I.M.P. condo rental less than three blocks from the venue, towering over Biscayne Blvd with an uninterrupted view of the bay and South Beach across it.

I don?t know if it was luxury that surrounded us that week we were in Miami, or the delicious warm temperatures that allowed me to slip into a pair of shorts and sandals as December came to an end, or the fact that this was my longest vacation from work since my wedding/honeymoon in the summer of 2005 but something turned in me that week. Ever since then, I have been extremely anti-job.

I like my job. I like the people I work with. I think I might actually be doing something moderately worthwhile here ? unlike at my last job which often made me ashamed to admit what it was I was doing with my life since college and which eventually laid me off in the crappy economic climate, thus leading me here. In the grand scheme of things, I think I fell out of a window and landed somewhere relatively soft and comfortable.

But, face facts: it?s still a Monday through Friday, 9 to 5 job. I have to wake up somewhere between 6 and 6:30 in the morning, dress in clothes I?m not comfortable wearing, drive 45 minutes to an hour to work (hour and a half when it?s snowing) and earn a paycheck and 10 days vacation, 5 days personal time a year. Some people love this. I don?t. Some people tolerate this. I have. Some people find their way out. I will. I hope.

So I declare 2010 as the year of gettin? shit done. In 2009, I motivated myself to come back to writing fiction and won NaNoWriMo with just over 50,000 words written in the month of November. I?m giving myself January and perhaps a tiny bit of February to actually finish that book. The rest of February, March and April to ignore it and start on something new, May to go through for a second draft while I ignore whatever it was I started in February and June to get it ready to make the proof copy NaNo gives its winners as a reward for making it through to 50K.

I majored in writing in college not because I wanted to avoid the more career-centric paths my father wishes I?d taken but because I have always written. It?s what I do, it?s what I enjoy doing. I just need to do more of it. And consistently.

And if I get everything I want (You know what happened to the boy who got everything he wanted? He lived happily ever after ? Willy Wonka, the original), then I can return to Miami every December and wear shorts and sandals and take showers in large glass enclosures overlooking the bay and South Beach and I can stop counting vacation days and I can go to 19 guilt-free Phish shows and still have time to travel and visit my family and read and write and throw away all work-appropriate clothing.

Lots to do, time to get shit done.

10 September, 2009

Oh, Joy

Phish released their new album, Joy, on Tuesday. I bought the digital files Tuesday night for $3.99 ? Thank you Amazon! I couldn?t listen to it yesterday, of course, because yesterday was Debbi day / Beatles? day and my ears were solely dedicated to another groundbreaking quartet of amazing musicians and writers.

So this morning I eagerly clicked my way to Joy on my poor, aging iPod (:hint: birthday coming ? I could do a lot of things with 160 gigs :endhint:) and, with windows down and car stereo very, very, very loud, I sped off on my way to work.

The first song up happened to be the very first new Phish song I had heard post-Coventry. Trey and Mike played Backwards Down the Number Line at Rothbury, nearly three months before The Announcement that Phish was getting back together. Backwards is a pop-y kind of tune and not really in keeping with the Jamtasticness that is Live Phish but I really like this song. It reminds me of my friends:

Laughing all these many years / We?ve pushed through hardships, tasted tears

If you walked backwards down my number line, you?d walk past years and years of laughter, tears, hugs, shouts, red cheeks and more. And all my friends. We go back a long time, not so much because we started early but moreso because we?ve had many years since. When Phish opened with this song at Deer Creek ? the first show back for all the friends I was sitting with who go way back down the number line with me ? the association became cemented. For me, that song is about Mel and Danielle and Craig and Peter (though he was absent from the show). And that?s who I think about when I hear the song now.

Next song is Stealing Time from the Faulty Plan. My husband really likes this song. I?m meh on it but it does have a really great line that is begging to be turned into a bumper sticker, if it hasn?t already been:

Got a blank space / where my mind should be

This is a harder rocking song, so no wonder my husband likes it. Have you noticed guys generally like their music a little louder and a little faster than gals? I don?t have a problem with that, just an observation. And yes, there are exceptions to Everything.

The title track follows in the third spot. Now, I like this song, it?s a little less loud and a little less fast. My husband, of course, doesn?t like it so much. But this song hits a little deeper when you find out that it was written toward the end of Trey?s sister, Kristy Manning?s, battle with cancer. She died April 29th of this year, less than two months after Phish conquered Hampton. I don?t know if she was an older sister or younger but I assume they were close in age and if he?s 45 years old (and he is, born September 30th, 1964, Happy Almost Birthday Trey), she died too young. Fuck cancer!

-- Sidenote: while looking up his age on Wikipedia, I discovered that the name Anastasio derives from a Greek word for Resurrection. No kidding? That?s poetic.?

So anyway, Joy, the song. It?s funny, I would not have pegged these lyrics to have come from the emotions Trey must have been mired in when he wrote the song but I can hear it in the music. A little bit haunting, a little bit tender with a cheerleader chorus trying very hard to see out the other side of tragedy:

We want you to be happy / Don?t live inside the gloom / We want you to be happy / Come step outside your room / We want you to be happy / ?Cause this is your song too

Phish doesn?t have many emotional songs. They have fun songs and they have story songs. This is a new kind of song. While I?m still firmly in denial of the fact, this song reminds me that we are all mortal and only getting closer to the edge of the coil. And that we can?t just pshaw inevitability. I don?t know if that?s in the lyrics or the music.

The next song, Sugar Shack, is a Mike song and it sounds like a Mike song ? part bluesy, part silly. I like it. I don?t love it but I like it.

Following Sugar Shack is the song that drives my husband nuts: Ocelot. Now, I may be a big reason why he loathes the song. When I first heard, it was catchy enough that I sang it often ? but I only knew one refrain ? so that?s what I sang a lot:

Ocelot, Ocelot / Where have you gone?

To me, Ocelot is a quintessential Phish song and deserves its place in the pantheon of silly Phish-animal tunes. Let?s see ? they have Ocelot, Possum, Llama, Sloth, (Run Like an) Antelope, Bug, Birds (of a Feather), Vultures ? Lizards. And I?m sure I?ve forgotten several and before you say it, Dog Faced Boy doesn?t count. They really like animals.

Following Ocelot is Kill Devil Falls which has earned much praise from fans. Jamworthy is the highest praise a new tune can get and this song has been linked with that word on several message boards. Another song I?m meh about. I get it and Stealing Time mixed up.

The next song starts off completely different than the live versions I?d grown used to; I thought Amazon had snuck a Thievery Corporation song into my shopping cart. I like the song, Light, but it isn?t one that sticks out in my mind. I can?t say I really know the words or the meaning and the tune is fairly generic to my ears ? but I like it.

Following Light is another Mike song, I Been Around, from the sounds of it, all 1:57 minutes of it. It sounds like the lyrics to a country song on repeat and it isn?t long enough to annoy me, so that?s good huh?

Onto the opus. Time Turns Elastic. Phish is a very symphonic band for being the rock band they are. Trey clearly dreams of being remembered for his compositions as much as his guitar greatness. In general I like his lofty compositions, even love some of them. The instrumental portions in songs such as Harry Hood, The Lizards, Divided Sky and Walls of the Cave are many of the reasons I spend as much time and money as I do on Phish. There?s something just otherworldly and yet so succinctly human about standing in a sea of people swaying to perfect music.

Unfortunately, Time Turns Elastic isn?t swaying me. There are, what? Three, four separate sections in this song? And the only part I really like in the nearly 14 minutes comes in the last three and a half minutes. Up to then, I?m just not feeling it. But then again, if memory serves me, when Phish released Walls of the Cave prior to the release of the Round Room album, I felt the same about that song. But I hadn?t yet heard that song live ? it was the live version that reformed my thoughts about it. I?ve heard TTE live, a few times. I really only enjoyed one of those versions and that may have been because I was in the lawn with husband and friends and simply enjoying the company.

I hope this one grows on me because I know they intend to play it a lot for awhile. I?ll keep an open mind and try to find more good in it than just the last three minutes.

Which brings me to the last studio song on the album and definitely my favorite: Twenty Years Later. Okay, is it just me or is practically this entire album about growing older and having memories? Get out of my head, Trey!

This song isn?t so much look back and laugh as Backwards is but rather more of an I-can?t-believe-twenty-years-later-and-I?m-still-upside-down* This is a song that soars. Eagle with outstretched wings circling high over the Grand Tetons, the whole deal. I love the chorus, it sounds like all four guys are singing on it. I have this thing about songs that escape the ABAB CDCD trap. Give me some lyrics that just barely fit into the refrain and only nominally, and not necessarily rhythmically, rhyme and I?m intrigued. This isn?t Britney Spears people! Twenty Years Later will be a welcome addition to any shows I am able to hear, most especially if I am at the shows. I will enjoy it very much.

The album ends with a live version of Backwards signifying that they do indeed expect that to be the one song that would get radio play if they were any band other than Phish. I?m cool with only the one version of the song on the album but they didn?t ask me.

So, since this morning when I listened to this album the first time, I have heard it two more times as I drove around to various locations for work and then at the gym. I don?t usually have the attention span to listen to an album so thoroughly but feel that I got an immersion in Joy today and it was joyful. I really like it. I really do. Bravo and welcome back!



*actual lyrics

09 September, 2009

Number Nine, Number Nine, Number Nine

Anybody who knows me, knows that today, September 9th, 2009, aka 9/9/9, is a Debbi day. Yes, technically, Debbi day doesn?t start for another 9 days (you think there?s a preponderance of 9?s in this post ? you should see my life!) but this year, I get an uber special Debbi day to precede the less special, but hopefully present-laden, Debbi day to come ? and oh, what luck, it?s turning into Beatles? day to boot!

Ok, so my thing with 9. Born in the 9th month, on the 18th day, in 1971. At 4:32pm PST. The 261st day of the year. All of those numbers divisible by 9.

So what does 9 signify for me? Apparently that I?m arrogant & self-centered. Oh, and compassionate, generous, creative, yadda yadda yadda. All true. The first two moreso. I?m a skeptic, always, but if you follow the ?science? of numerology at all, the number 9 is said to be a particularly spiritual number. It is a fleeting glimpse, though, more like a vague impression or d?j? vu that, when analyzed, breaks up into a wispy fog. I know this wispy fog all too well.

9 times any number equals a number that when broken down adds up to 9. Always.

The Chinese Dragon (my favorite animal, real or imagined) is made up of 9 separate animals (head of a camel, eyes of a demon, ears of a cow, the horns are branched antlers of a stag, neck of a snake, belly of a clam, the soles of its feet are a tiger?s soles, its claws are that of an eagle?s & 117 scales of a carp).

Anton LaVey applied the number 9 to Satan. Anton LaVey, a San Franciscan, is the founder of the Satanic Church which is a religion exactly like Christianity, only worshipping downward. Did you know they disapprove of sex before marriage too?

Cats are said to have 9 lives. My cat is down to 3. 3 is a magic number, so sayeth Schoolhouse Rock. 3 x 3 = 9. Thus, 9 is magic cubed.

My best years in my adult life have been divisible by 9: at 18, I began to make the best friends of my life in college; I was 27 when I first moved out on my own and also when I met my husband, 36 when I finally began my career path.

While my favorite band is Phish, my all-time favorite band is the best band that ever is or was: The Beatles. They are often associated with 9 due to their song Revolution #9, so it comes as no surprise that today is the release date for all sorts of new Beatles? swag that I?d sell my mother for. Okay, fine, maybe an aunt (hi Aunt Barbara tee hee). John Lennon, of course my favorite Beatle, was obsessed with the number 9. He was born on the 9th of October, the Beatles were discovered by Brian Epstein on the 9th of November, John met Yoko on another November 9th. He felt that the number followed him so, naturally, it tended to pop up in his music.

Coming at the end of the single digits by which numerology is defined, 9 is symbolic of the end. And this is the end of this post. Coincidence? I think not.

26 June, 2009

Trudging Through Green Lot with The Lizards

Last weekend, starting a week ago today, as a matter of fact, I hopped on a little mini Phish Tour: one night at Deer Creek (Noblesville, IN) and two nights at Alpine (East Troy, WI) ? my two favorite venues and so close to home.

There is nothing finer in this world than a summer Phish show. Even 13 years after my first show and 13 years closer to an un-cooperating body, I can still dance and smile my way through the entire first set. And, if I happen to sit down during the third or fourth song in the second set, well, it?s not because I don?t like the song. My feet and my back and my thighs and my calves just have a different idea of fun these days than my heart and mind do. They have been carrying this body around for nearly 38 years and they like it when I lounge; they are top-notch loungers.

However, the true test of my body this last weekend came hours before the Saturday show even started. We had booked a room at the Alpine Valley Lodge, which boasts the advantage of a short walk into the lower area of the venue from your room. Jason had news of the Alpine dates prior to the announcement so he managed to score one of the Lodge?s very in-demand rooms for us, citing the expense as a reasonable cost to celebrate Phish and our fourth anniversary Saturday night.

The disadvantage to staying at the Lodge is that while you have an entrance to the lower area, the parking lot is in the upper area and the lower area doesn?t open till doors open and then, once in the venue, you can?t leave out the other side unless you have another ticket to return. So the only way to experience the parking lot is to walk about a mile around (and wayyyyyyy up) the venue or to drive in like everyone else.

Once we were in our room, we discussed our options because Jason wanted to get in the poster line, which was up in the parking lot. We could walk the mile around (and wayyyyyyy up), or we could just go ahead and drive into the lot and not use the Lodge advantage this night. I was skeptical: I am essentially a frugal person and like to get my money?s worth when I put my money out and other than the advantage of walking in from the bottom, there wasn?t much worth in this particular lodging. Plus, if I remember correctly from wayyyyyy back when I used to follow Phish because Phish used to be a band before they weren?t (and then before they were again ? after, of course, before they weren?t and then were again the first time), wasn?t there one lot at Alpine Valley that really, really sucked? Like, it was a color lot, right? Blue? Did Blue Lot suck? Red? Is there a Red Lot? I don?t know ? all I know is I remember horror stories about this lot even though I don?t think I ever got stuck there.

So, finally, I agree. We will park in the lot this time, so Jason can get his precious posters and we can see some friends we haven?t seen in a long time, and the next night, we?ll walk in from the bottom.

So we pull out of the Lodge driveway onto Highway D and the turn-in for the venue parking is the very next driveway on our left. We follow the waving arms of the yellow-shirted crew and pull into Green Lot.

Once we were parked, near the treeline at the end of a middle row that was quickly filling up with tents and other large obstacles that would be impossible to drive around, and unfolded ourselves out of the seats, I recalled the color of the bad lot. Green. Green is bad. Shit.

I turned to Jason and let him know we just screwed up, but he?s a guy, he?s younger, he?s in better shape and I?m not sure he?s heard the horror stories I have so he looked at me with a blank stare, shook his head and started to walk down the treeline toward the path. And I followed.

So, what makes the Green Lot so bad has nothing to do with the lot itself. It?s grassy and large and they leave enough aisles so that getting out of Green Lot isn?t a horrible ordeal at the end of the night. No, what makes Green Lot so bad is not Green Lot itself but rather, Green Lot?s location. Imagine the Himalayas, okay? You?ve got the picture in your head? Stately peaks rising up so incredibly high, into the clouds, covered in snow and Sherpas. You feel a profound weariness looking up at those peaks because it will take everything in you to ascend them which is why you are just staring up at them from afar because there is no way in hell you would agree to ascend them ? your last name isn?t Hillary! Now, remove the snow and Sherpas. Welcome to Green Lot.

Green Lot runs parallel to Blue and Yellow Lots, but is separated by a river (or creek or swamp, some body of water that is impassable). They are about the same level above sea level but on different peaks. So to get from one to the other, you have to descend for about 10 minutes then ascend again for about 20 minutes, each way.

The lesson I learned from Green Lot, and I think it?s a good lesson for life, is to look down. Don?t look up. Hope is a pipe dream. The ascension never ends so there?s no point in hoping or looking up. Just look down. Keep looking down. Keep saying to yourself: Look down, don?t look up. Sing a few songs to yourself. Hell, you might as well sing the entire Beatles catalog in chronological order to yourself. Just do it while looking down. And when you feel the ground start to level, your body start to come back to a reasonable non-leaning state, then you can look up. But not until that very moment. Oh, and don?t forget to breathe.

Once we reached the other peak, the Blue-Yellow peak, my vision and other senses slowly came back to normal. It was hot over here. So hot. But we were here and this is where we wanted to be and that was great. Jason went and got his posters, stood around and talked to some friends, we mingled and met someone who was taking my extra ticket and then Jason asks me if I?m ready to go back.

Go back where?

To the car?

WHAT?

Debbi, we have that champagne and strawberries and water and ? we have to go back to the car. Fred?s heading that way too and Jim will walk with us.

You can go back to the car. I?m staying here!

Debbi, I?m not going back to the car to celebrate our anniversary with champagne without you. Come on, it?s not that bad.

Apparently, his defense mechanism to that climb was to send his mind somewhere completely different from here. On what planet is it not that bad?

So, of course, I followed the pack of in-better-shape boys down the Blue-Yellow peak (10 minutes) and up the Green peak (20 minutes ? this hill was longer but less steep, so completely equal to the other hill in exhaustion).

We spent about an hour to an hour-and-a-half at our car. I drank three waters and toasted with a red plastic cup of champagne. I had some baby carrots thinking the vitamins would help me negotiate the mountain heading back, then I remembered that carrots are great for your eyesight and I stopped eating them because I didn?t need better eyesight to look down.

Then the dreaded moment came when Jason asked me if I was ready to head back. It was about 6 at this point and he wanted to get into the venue a little early. I laughed ironically to myself and then began the process of psyching up for the descent and subsequent climb. I knew the pot of gold awaited us at the top and whereas posters didn?t hold much motivation for me, the band did. So I nodded and fell in line.

The walk back up was as grueling but less horrific since I had, by now, become quite the expert at looking down. I was midway through ?Don?t Let Me Down? when I felt my feet hit ground that wasn?t at a 55 degree angle. Jason and the other guys smiled benevolently at me and I?m afraid I may have growled in their general direction. Had Jason made any mention of forgetting something and needing to go back at that moment, divorce papers may well have been served. Stupid Green Lot!

The good news is, the mountaineering was well worth it. That night?s show rivaled some of my favorite shows in Phishtory. The highlight came deep in the second set as I sat through the ending strings of Ghost (second set, on the lawn, had to sit) and the beginning notes of my most favorite Phish song tinkled out over the audience. I?ve mentioned the song in this blog, of course - http://9lizards.blogspot.com/2009/02/me-music-part-ii.html ? and perhaps the name of the blog itself derives in part from this song, definitely from the reason I attached this song to myself so many years ago. I immediately jumped into a standing position. This was only my third time hearing this song live and I had not expected it ? they?d already played it once on this early summer tour and I had thought that audience very lucky to have gotten it and assumed that would be its only show. Sometimes I am very glad to be so wrong.

I sang out loudly, though not as loud as I could since the volume wasn?t so high on this part of the lawn; I didn?t want my nearest neighbors to hear my voice over Trey?s. And when they got to the oh-oo-whoa-oo-whoa-oo-whoa-oo-whoa-oo-whoa-oo-whoa-umby-downt-downt-downt-umby-downt-downt-oh-oo-whoa-oo-whoa-oo-whoa-oo-whoa-oo-whoa-oo-whoa-oo-WHOAAAAAAAAAAAAAA, I closed my eyes over my budding happy tears and enjoyed the perfectly played instrumental section that has always made me so glad to have found this band and stuck with them through the funk years and the all-night sets and the hiatuses and the drug years and the break-ups. That moment of closed eyes, perma-grin smile, thinking about all my friends and how much they have been around me all these years and being so grateful to have my wonderful husband standing behind me, no doubt smiling ear-to-ear for me ? that is the moment I am always looking for and always so blessed to be able to find, even if it?s been a few years since I last found it. You don?t want that moment everyday ? it would lose its luster fast. So long as I can get it every once-in-a-blue-moon, I am thankful.

At the end of the night, as I was descending from Blue-Yellow peak, preparing to ascend Green peak, I had that Lizards to buoy my tired bones as I gave them one last, great workout of the night. In some philosophy or theatre theory class in college, I had become fascinated with Aristotle?s Poetics and his theory of the necessity of bad in order to know good (he used the terms non-musical and musical, which is very fitting in my life sometimes). That you can?t know what good truly is without having had bad to compare it to. Which is true ? try defining the word good without using a single synonym or antonym. You can?t. You have to have the bad to know the good ? and vice versa, yes. I have lived that philosophy and it has gotten me through some of pretty harsh things life has throw at me. And while Green Lot might not be all the way up there with some of the more depressing moments of my life, as I ascended Green peak, I infused myself with the musical so as to get through the non-musical and the path was so much easier than it had been before.

29 April, 2009

Hey, I Know You - You?re The End

With this early-rising job of mine, I have had to develop a morning routine just to successfully get out the door on time. I get up, use the restroom, feed the cat, put in my contacts (that?s a new move and not one I?m entirely sure will stay on full-time ? my new, un-broken glasses should be ready this week), get dressed, make coffee (if Jay didn?t already set it to go off), make breakfast and sit down to eat while watching the morning news on Fox ? the local Fox channel, not the national ?news? outlet (in quotes because the terminology is in question in regards to that channel). Chicago?s Fox channel is nothing like the national Fox channel and I like the anchors and the traffic lady and weather man are usually pretty spot-on.

While watching the local Fox news yesterday morning, I had an eerie d?j? vu.

Jan Jeffcoat and Patrick Elwood, the anchors of Good Day Chicago, spent much of my viewing portion of the newscast discussing the Swine Flu epidemic sweeping through Mexico and starting to pop up in various other countries, including America, while, at the same time, the same news monopolized the ticker at the bottom.

I?ve seen this before, somewhere. And no, not on 9/11.

I racked my brain till the second I turned the TV off and headed out to work, but came to no conclusion. It was most likely a misplaced d?j? vu, as most are. And my mind swirled around larger issues ? I had an appointment in court that morning for a speeding citation (46 in a school zone ? my invisibility cloak is no more).

After court (the cop never showed, the citation was dropped), when my mind had cleared, I remembered the d?j? vu and I realized where the memory came from. I had seen a very similar TV broadcast scene in I Am Legend, and perhaps several other end-of-the-world movies, like The Day After Tomorrow or 28 Days Later.

(Perhaps one of my favorite genres in film ? the Apocalypse, sans religious connotations, of course. I don?t know why but the end of the world fascinates me, and if New York City is, in any way, shape or form, involved, all the better. Which is not to say I have anything against New York. I?ve been to the city, once, over a span of 20 hours, on New Years Eve, for a Phish show, their first in over 2 years, my now-husband asked me to marry him there, at the Phish show, one of the best shows I?ve ever seen, and I?m not saying that because of the music. I thought New York was exciting. Of course, I was in Manhattan ? roaming around Madison Square Garden before and after the show ? and that is probably one of the most exciting 22.7 square mile regions in the world. I think what gives me the extra thrill boost when the Entertainlypse happens in New York City is that it literally takes the region from one very vibrant extreme to another. Face it, if you showed the effect of an apocalypse upon Sapulpa, Oklahoma, the entertainment value would be far, far less.)

So, once I realized where the memory came from and the outcome in that memory, I started to wonder if I (we, but I always think in I because I?m a narcissist) was witnessing the start of an apocalyptic snowball. The signs were there ? sober newscasters, ticker full of dire tidings, people wearing surgical masks in public. This could very well be The End. Fini. Fin. I?m so glad I realized that before it actually got here. It would have sucked if I had been surprised. At least now, I have time to take up smoking again. I?d hate to die of a pig virus without a cigarette on my lips. Phew. Thank you Good Day Chicago!

Hold it, you mean I probably won?t die?

Shit.

Pass the Nicorette.

23 March, 2009

Pins and Needles

This is the state of my mind today. I have six outstanding bids in for two sets of four-night passes to what will be one impossible ticket. (You don?t need to know math to puzzle through that last sentence.)

Fingers crossed, Jason and I will get tickets for all four nights of Phish at Red Rocks this summer. More fingers crossed that our friends Fred & Jewel and Jim & Kate also get tickets. Hell, for that matter, all fingers crossed that scalpers and haters are shut out entirely and only those most deserving get tickets.

But wait, would I be on that list?

Scratch that, let?s just go with Plan A.

19 March, 2009

The Roller Coaster

Last night, Jason and I spent the evening at a funeral home saying goodbye to his Grandma who died Saturday at the amazing age of 94. It is customary for Catholics to have open casket wakes the day before a funeral and today is the funeral so last night, Grandma was in attendance. I spent most of the evening in the kitchen of the funeral home. Lifeless bodies make me nervous.

Everyone from Jason's family was there except his brother and sister-in-law in Arizona who had very good, job-related reasons to be absent. Jason's grandma had two children and he hadn't seen the family branch from his uncle's side since he was in his single digits so I was a little overwhelmed by the Whole Family Reunion thing.

The members of the family who organized the wake brought out some old family albums from his grandmother's life with pictures of family life that ranged from, I would say, the late 1800s up to a picture from our wedding and Jason's younger brother's wedding. Some of those older photos were Fabulous. We think our digital point-n-shoots now take good pictures? These pictures were just as good but with less technology. And back then for some of those old pictures, you paid a pretty penny to have them taken so that you could have only one picture of yourself to pass down. How many pictures of myself have I thrown away while spring cleaning?

While sitting in the kitchen, avoiding the room with Grandma in attendance, Jason began receiving urgent phone calls from various friends. He ignored a couple of them but then got curious as more calls came in, so he stepped out to answer one of the calls.

Within a few minutes, he appeared in the doorway and gestured for me to come out with him.

"They're releasing 4-day Red Rocks passes on TicketMaster now!"

Turns out that someone, at some point this evening, had pushed the More Info button on the TicketMaster page for the Red Rocks onsale that is supposed to lead to information about when the tickets go on sale. That button will turn into a Find Tickets button next Thursday at 10 a.m. But instead of leading to information, it led to a Captcha page where TicketMaster is supposed to weed out the Bots from the Humans with a word or phrase that you have to type before moving on to a waiting screen. And once the Captcha was entered, the waiting screen appeared and after about a minute or so, the Purchase Tickets page came up.

Was it intentional? Was it a mistake? Two biggest questions of the night, only asked After people got the confirmation page and email that they had just purchased 4-day passes.

One of the calls Jason received was from a friend who assured us she had us taken care of but we knew of a couple of friends that needed to be taken care of so I ran out to the car to grab my phone. I thought I might have a chance at getting through TicketMaster on my Dare but Verizon's web service isn't accessorized enough to get through Java and Flash requests. So I called my friend Stacey.

"Are you by a computer now?"

"Yes, why?'

"Can you go on TicketMaster and search Phish Red Rocks? People are getting tickets now - there's some sort of mistake or something."

So she heads to the page and sees the More Info button. As a TicketMaster veteran herself, she knows that means that it isn't onsale yet so she tells me so. I tell her to click the More Info button. She is more and more shocked at each subsequent page that comes up that she shouldn't be able to get to but can. When she pushes the Submit button with my credit card information, neither she nor I expect it to go through, but it does.

Holy Crap, I have 2 4-day passes to Red Rocks. Holy Crap.

I head back into the funeral parlour, avoiding the front room where Grandma is, with a huge smile on my face. Totally incongruous to the surroundings and our reason for being there. I managed to duck my head in time to avoid being seen by a mourner, but couldn't erase my smile.

For the next two hours, Jason and I talked quite a bit about the possibility of this going through. Ever the realist, I presented a pessimistic viewpoint and gave reasons for why I thought this way. Jason is much more of an optimist than I but even he was questioning the likelihood of this actually sticking. Despite our personal views on whether or not it would stick, however, we were both very excited and hopeful that yes, it would actually be *that* easy.

When I got a chance, I checked out bank account online (my phone can do that, at least) and the money was listed as pending. Holy Crap.

I was heading off to bed when the cancellations started coming in for our friends and acquaintances. I haven't yet gotten mine - the email went to Stacey since she completed the transaction under her own account - but I know I will. According to a TicketMaster-employed source on one of my message boards, this was a huge error in event scheduling and, as soon as it was discovered, TicketMaster's I.T. Department scrambled immediately to correct it. Supposedly, the source is going to fill us in more around lunchtime when he can escape from the all-day meetings (oh, to be a fly on those walls today) and let us in on details. It doesn't matter much; the upshot is that it was, in fact, a mistake and that all orders are canceled, all monies will be returned and all of us will have to return to stroking our lucky idols whilst placing our lottery orders. And when/if those come back unfulfilled, all of us will be taking a break from our jobs a week from today at 12 p.m. mountain time to overload TicketMaster's server in an attempt to get those damn tickets back in our hands.

I have various people helping me place lottery orders because I know my chances with TicketMaster on the work T1 next Thursday are very, very slim. I would love to have more. If you have about $450 room on a credit card and want to help me out, I would love you forever and ever. Or if you have a lucky idol you want to throw my way, that works too. Sigh.

16 March, 2009

Sunday, Sunday, Sunday

I know ? it?s Monday, Monday, Monday today. I missed matching a Sunday event to a Sunday blog. But I didn?t want to cheat you of the Sunday story so better late than never huh?

I had a feeling Sunday would be the bust-out show of the weekend. A lot of people were talking about hitting Friday/Saturday and heading back home Sunday so they could be at work Monday morning. Hell, I had to be at work Monday morning and gave it brief thought but I had the tickets and I can?t miss a Phish show I actually have tickets for. That?s wasteful. There are music-starved children in Africa and I must think of them, it?s only right!

So the plan was: sleep in Sunday, enjoy a leisure lunch with friends, mosey on over to the line, get in and get good seats, rock out at the show, head back to the room and quickly pack, get a couple hours of sleep, wake up at some ungodly hour, get in a taxi headed to the airport and get on a plane so I could get back to Chicago in time for work (well, a couple of hours late but in time to be at work).

Sunday went according to plan.

There, that?s my blog post. A day actually went according to plan. Isn?t that exciting enough for the interwebs?

Oh whatever.

The dramatic highlight of Sunday, and I think I may have mentioned this in the very large blog post that began this, was of course the near-fight I got into with a large, shirtless man over an entire row of seats. Okay, if you know me, imagine me at my stubbornest, which I know is not a word but let?s make it one today, ok? I set my legs over shoulder-width apart, set my jaw and look you square in the eyes with a glare that says you don?t stand a chance with me. That was totally me last Sunday.

Fred & Jewel got in separately from me and after (I tried to grab Jewel and put her in front of me in line but the security guard got me before I could squeeze her over) so it was run for the seats and hope I could find them when I did (I didn?t have either cell number and would have had to coordinate with an absent-Jason in the chaos). I ran immediately for the lower Page-side towards the back of the venue seating thinking that it had the best head-on view without being all the way at the back of the venue. Unbeknownst to me, Jewel and Fred were thinking way, way forward and had I known, I might have saved myself some grief.

So I run in and see an entire front row empty except for one guy ? one large, shirtless guy. So I head down there thinking it?s about 14 seats, no way he?s saving all of them.

As soon as I reach that level on the stair and start into the middle, he comes barreling over from his side of the row with his hairy chest thrust out in some animalistic, territorial, instinctual ? thing. It strongly resembled any number of nature films where the leader of whatever pack of growling animals confronts the brazen intruder. And no matter how many seats the row held, he had every intention of ridding his land of this intruder: me.

So I set myself. I know when a large, shirtless man comes at you with his chest thrust out, there is a chance of violence and I also know that you?re less likely to get bowled over if you set your feet just right.

Okay, let?s pause here because something is bothering me. And this is one of those issues that kind of has two sides of me at odds but it was something I thought much about that day. Chivalry. Now, normally, I scoff at chivalry. I think the very idea of sitting in a car while the man turns off the car, opens his door, gets out of the drivers seat, closes the door, walks around the car and opens your door for you to get out is silly and a waste of time. If you have a 7 o?clock movie to get to, there?s no time to wait for that crap. And does the woman not have arms? Is she completely unable to open a door?

But then, in times such as when a man is barreling towards me with seemingly violent tendencies, I wonder whatever happened to the world in which men bore a gentle respect for women and even if they disagreed with them, handled their opposition in a respectful, if slightly patronizing, manner.

After this incident, this is what bothers me the most. Had he turned, saw me, saw I was threatening his territory ? which was not actually HIS, by the way ? and come toward me at a normal pace, with his shirtless upper body in a relaxed pose and said, I?m sorry, I?m saving these seats for my 13 friends ? I still would have argued (nicely), I still would have been irked at the audacity of it, but I wouldn?t be nearly as PISSED as I am about it. The dude came barreling towards a girl. It isn?t right. It isn?t respectful. I should have kicked him in the balls without saying a single word just for that; taught him that if he can?t be a gentleman, then he shouldn?t even have the equipment to be a man. And yes, that isn?t very respectful of me to say or even think that but he made the first impression that he did so I can?t help but to react in the way I do.

So.

In the end, I gave up the fight. Pragmatic me surfaced and reminded me the goal tonight was to get good seats and enjoy the show. I would likely not have succeeded at either if I had stayed and fought any longer. As it was, my fledgling voice was losing even more decibels, the more I yelled at him.

With one last extended middle finger and a choice phrase I won?t utter here, I took to my heels and ran up the steps to the next level up and managed to secure five seats on that front row. I threw my hoodie over three of them and paced across the section, happy that I got front row in a section, still fuming over the encounter.

Not long after I found the seats, I spotted Fred?s red cap, blue shirt coming in and called him over. He was impressed with the seats but once he called and talked to Jewel, he said we might have better seats, he?d go check.

While Fred was gone, I watched the venue fill in. The best seats were gone so people started simply looking for enough seats together. I had a few looks my way but they saw the hoodie and they saw me standing in front of the seats not yet covered and they got the idea. In the second row, I heard a couple of guys talking about the number of seats they would need and perhaps they could grab some from the row above them to get the number they needed. I spotted a few friends and waved.

Fred returned in a few minutes saying Jewel had much better seats. Front row also, and much further down, closer to the stage. And in his opinion, we should pick up stakes and move.

No sweat off my back, I just wanted to be in good seats with good friends so I turned to the guys behind me and let them know they had five seats in the front row if they wanted them. See the difference between me and Cro-Magnon man? Respect is the most valuable tool we have and it isn?t in limited supply so there?s no need to dole it out with caution. Be free, use it anytime you want. Respect Away.

Still steaming about that guy over a week later. Not that I would remember his face because my eyes were seared by his massive, hairy chest, but I do wish I could run into him again, when I am able to quell pragmatic me. I have a few things to say.

I did manage to forget the incident that night. As I had expected, Phish played the best show of the weekend, ending with a spectacular Tweezer Reprise after releasing the XXL balloons hanging above the audience. The best part: we were seated close enough to see their faces and they wore a perma-grin all night long. As did I.

Thank you, Phish!

13 March, 2009

Phriday Stories

I'm looking back fondly on events a week ago - do you ever do that, take a vacation or have a really great day that you memorialize by weeks gone past? - and, while I already posted about my BWE yesterday, I didn't necessarily go into individual stories, for lack of time or space. So thought I'd tell some Phriday Stories here, seeing as how today is Friday.

So, this was my first time at Hampton - actually, I don't think Jason or Jim Pollock had been there before either - so, on the walk from the hotel to the venue Friday night, I was playing the role of Tourist. I had my phone out and using it to take pictures and videos (my phone rocks). I made a joke when Jason stopped to take a video and Jim and I kept going that he had my tickets, he'd better keep up.

So, we get to the chaos surrounding the venue and I want to take a picture of the cardboard robot in the front fountain. So I stop, take my picture, put my camera/phone away and start walking in the direction we were headed. Except Jason and Jim were no longer in front of me. I stopped. Looked around. Nowhere. Gone. I felt like I was five years old, lost in the mall again. I have a tendency to do that. But Jason has my ticket. Shit. Shit shit shit shit shit.

But aha, I have my phone. I get the phone back out and text him. Where are you?? He responds within a minute: Right behind you.

Doh!

So then, I'm antsy to get in. I want a decent seat and not to be stuck up in the nosebleeds or separated because there are no three seats together. But Jim has an extra (the Phish organization set aside 2 for Friday and Saturday for him) and we're trying to get in touch with any number of people we know who are there and ticketless for that night. Of course, they must not be too desperate; no one is answering their phone or texts.

Eventually, it comes down to two possibilities. One, we sell the extra and pay the security deposit for the poster show with it (the person who was supposed to pay the security deposit forgot and the manager had mentioned it a couple of times). Problem with this plan, of course, is that it is illegal to scalp on property and Jim Pollock being arrested for scalping wasn't a good story. None of us liked that idea and immediately rejected it. Which left the ol' miracle someone. I always like this; I love seeing people happy and I love seeing people amazed into speechlessness. A miracle to this show would catch the height of both of those emotions and I thought it'd be a great way to start the night. It was agreed.

So then, who to miracle?

We tossed ideas back and forth. Jason had his point & shoot which had video capability so he wanted to capture the transaction. Which meant we needed light. We walked to and fro, trying to find the right opportunity, the right light. It was nearly full-dark by this point and my antsy had by this time, turned into hyperactivity. I needed to move, to progress towards the doors, to get inside. When was the show supposed to start? If I miss that lights down, I'm gonna be PISSED.

Finally, we're standing in a decent pool of light next to some glass vendors when Jason takes off at a run. I turn to Jim wondering what the hell that was about (because of course, I stopped paying attention to anything but the doors by this point). He tells me that Jason heard someone singing a Happy Birthday song and wanted to see what that was about. Cool. Cool.

Two minutes later, Jason comes back with this smiling, but confused man and his entourage.

It's true. It is his birthday, Jason says, handing Pollock the drivers license in his hand.

So while Jason captured the video, Pollock miracled a birthday boy from Hampton. Which turned out to be really, really cool because the birthday boy's wife had One ticket. Which meant that only one of them would get in. And no husband is going to tell his wife that she can wait out alone in a dark parking lot for him or even head back to the hotel/home without him. Husbands aren't geared toward putting their wives in that kind of potential danger. Birthday or not, I have confidence he would have insisted she take the ticket and he wait outside. But the choice didn't even need to be made: with Pollock's miracle ticket, both Steve and his wife got to celebrate his birthday inside The Coliseum for the reunion show.

That was awesome!

12 March, 2009

Phishing in Hampton, VA

(Fred in the red hat and Jewel front and center, front page picture of the Hampton Daily Press Saturday March 7, 2009 - Love this picture!)

I know I'm a few days late on this - chalk it up to an attack of The Ick (awww, just like old times) - but I must interrupt the regularly scheduled programming (which for me is usually silence, is it not?) to gush about this last weekend, a weekend I heretofore dub: The Best Weekend Ever In The History Of The Whole Wide World or, BWE for short.

Okay, cut to the chase - if you didn't know already, Phish is my favorite band. Now, sometimes, I will say The Beatles are my favorite band because I believe they are Rock-n-Roll's quintessential Adam & Eve (don't give me that Elvis crap!) and I *so* appreciate their existence but to be completely honest: Phish is my favorite band. Phish shaped my mid-to-late twenties and early thirties as no other non-child-of-my-body entity possibly could have.

In 2004, when Trey announced they were kaput, I was bereft. What the hell would I do with my summers, how would I ever again enjoy music? I couldn't make every show they played after The Announcement but I certainly did my best! If they were going to make me say goodbye, I wasn't going to miss it.

Their last shows, in Coventry, VT, were a debacle. As if God mourned their goodbye as much as we did, the endless summer rains leading up to the festival so drenched the former cow pasture that non-economy sized cars were in danger of becoming mired in the festival for good. Saturday morning, a day after we pulled in and set up camp, I was awakened by The Announcement Part Deux on The Bunny, Phish's festival radio station: if your car hadn't yet left the highway, you weren't going to be able to drive in. The grounds were either puddle or mud, or both - it was by sheer luck that Jason spotted a hill when we pulled into our area Thursday night/Friday morning at 1 a.m. and forced me to help tote our gear up that hill to set up camp. The area behind our rental car - a non-economy sized car - glistened in the sun, as water will, and with my tendency towards laziness, our tent and gear would have been submerged in that, as many of our neighbors were. Thank God for sensible husbands!

The music at Coventry matched the conditions; the members of Phish mourned as we did, the end of this livelihood. Together, the fans and the band had enjoyed many years and the end wasn't just tearful on our side of the stage. I still have very strong emotions at the memory of Page cracking and breaking into a sob in the middle of Wading in the Velvet Sea. And when Mike and Trey handed their one-man trampolines out into the audience - the depth of the sadness that still hits me is kind of surprising even to me, especially given the events of this past weekend.

So. On October 1st, 2008, The Announcement Part Trois: We are coming back.

Getting tickets to the Hampton shows for March 6-8 was a little like getting your name called in the NFL draft. Good luck with that one. We did not have good luck. We were denied "mail" order (quotes around mail because it hasn't been Mail order since, like 2000?) and the TicketMaster onsale was a joke. If you didn't have 6 computers running consecutively on separate T3 lines, you didn't stand a chance. Or if you were a broker. That almost undid me.

So I failed to get tickets to Hampton and I was again, bereft. I couldn't miss the reunion show; I hadn't missed the first reunion show, how on earth could I stand to miss this one?! But, without a solution and multiple thousands of extra dollars and the lack of morals required to buy from a broker, it certainly seemed as though Hampton would go off without me. And in the meantime, Jason made other plans to help run an art show for Jim Pollock (Phish's main poster artist) for that weekend in Miami and it really seemed to be the end of the dream.

Then in January, I got a PM from a friend on a non-Phish message board who had managed to get 2 3-day passes to the shows. Turns out she and her husband couldn't make the shows and they wanted to offer me the tickets for only slightly above face before taking them to eBay.

Well, you can imagine what I did. I'm not even sure I got through the entire contents of the PM before yelling out a hearty Hell Yes!

From that point on, everything fell magically into place: Jason's art show plans in Miami fell through due to the cancellation of the Langerado Festival scheduled the same weekend as Phish's Hampton shows (you had to know that was going to be a problem!) so his anguish at possibly missing the first night (aka The Show) disappeared. Then he came up with a plan to have the art show anyway - in Hampton. Which then resulted in a free hotel room within walking distance of the venue. We found very inexpensive airline tickets to Norfolk, VA from Southwest Airlines. And my boss gave her approval for me to take off the Friday of the first show, asking only that I be back the Monday after the last show (another coworker in my 5-person department had already scheduled off for that Friday and Monday so getting even one of the days off was a gift).

By the time we had reached the seats our friends Jim & Kate saved for us Friday night, we were trembling with equal parts excitement and exhaustion. Jason had spent a hectic three weeks planning an art show from scratch and I had spent three weeks listening to his woes and trying to add insightful advice when I had it. And gotten four hours sleep the night before due to tapas and a Tea Leaf Green show with a friend. But mostly excitement.

Then the moment came: pre-show music faded quickly out, lights instantly down, the moment I had waited for for so long and been so lucky enough to get to experience when others, just as deserving or even moreso than I, were not as lucky. I had my phone out so that some of them could at least know the first song back practically when I did.

Fluffhead. Frickin' Fluffhead. NO WAY! How apropos. How long had people been clamoring for a Fluffhead and apparently, Phish had been listening. I quickly texted the name off and began a very long night of dancing. I had made a deal with myself that I wouldn't sit while Phish was onstage Friday night. Saturday and Sunday weren't part of the deal but my ass had no business cuddling up with a seat at the first show back. And I kept that promise to myself. They played a nearly two-hour first set, which sorely tested the promise, but the music selection and lack of Type II Phish jamming certainly helped. 17 songs were played in that two hours and I tried a mnemonic device to remember them all without the aid of paper or pen but eventually failed. I can remember a little bit still, though:

Fluff divided the chalkdust sample from his stash - aaaaaand that's where I decided to stop being a geek and just enjoy the moment (Fluffhead, Divided Sky, Chalkdust Torture, Sample in a Jar, Stash)

So, anyway, who knew buildings sweated? By the end of the show, the first time I ventured away from our seats up high Page-side, every surface of The Coliseum was moist, if not downright puddled. I avoided falling on my ass the entire weekend long (contributing, of course, to the BWE designation). I can't even do that in real life! Phish is magic. Okay, well lots of other people fell so maybe Phish's magic only extends to me and those with me. Fact is, I stayed upright all three nights and I count that as a resume-worthy achievement.

That first night back at the hotel, we (Jason, Jim & I) further plotted the poster show the next day. The hard work had already been done with the help of our friends Fred, Jewel, Jim M. and his wife Kate who all arrived in Hampton Thursday and could spare the time to help Jason set the stage and plan. But we still needed to plan Jim's room and so, stayed up till 3 a.m. doing so. Leaving us approximately 4 hours of sleep before we had to get up to finish setting up and run the show.

Due to the invisible partner's negligence, Jason had to take on the role of overseer of the whole show so I stepped in to assist Jim in his room. Luckily enough, the questions I fielded that day were ones I knew the answers to and we weren't in need of the particular insight that Jason or another person might have had on some of the pieces. My primary job was simply to take the money and keep the table full of prints, and I like to think I did an excellent job on the first, though I was remiss on the second (I forgot about the stash in the portfolio behind the cardboard until two hours before the show was over). Other than that, though, it was a very successful day for all the artists involved.

The show wrapped up late, as we knew it would, so we had to rush to break down Jim's room in order to get to the show on time with a little time to rest between - we had all been on our feet since 8:30 that morning. We made it in time, we found seats with some friends who had a nearly head-on view of the stage, and I enjoyed much of Saturday night's show sitting down, without any guilt. It was a great show and there were several parts I couldn't help but stand and dance, but there were several parts that made it easier for me to justify sitting down and resting my very tired feet.

Walking out of the Saturday night show, we stumbled upon a scene straight out of a nightmare: a group called the Nitrous Mafia from Philadelphia has lately become a gritty fixture at concerts and festival in the East and Midwest. They have backpack versions of nitrous tanks and can pick up and set down shop on an empty patch of earth and everywhere they land, wastoids follow. Saturday night, we chose the wrong path back and ended up walking right through a crowd of balloon-sucking shufflers, hisses of tanks and carnie calls snaking out into our path from the left and right. Jason grabbed my hand and veered us off the path and out of the uselessness and into some streetlights and we both made a mental note not to walk that way again. Wah-wahs make people dangerous.

Nearing our hotel, we met up with Jim and all expressed our great hunger so we ventured over to the Waffle House in our hotel parking lot and ended the day with some late night grease.

The next morning, we -gasp!- slept in. It was awesome. The bed in the hotel was very comfy. And yea, we did have to wake up to an alarm but not one set for two or four hours later. We managed to get a good seven to eight hours sleep and that was juuuuuuuuust fine.

We met our friends Fred & Jewel at the tavern across the street for lunch and ended up running into just about everyone else we knew, to boot. There we made our plan. Jason and Jim would go sell Jim's remaining prints in the parking lot and Fred, Jewel and I would go grab a spot in line and go for great seats. After I ran back to the room to get some necessities, we walked over.

By Sunday, the security working the lines had their job down. Friday it was pure chaos, Saturday, it was approaching some semblance of order and Sunday it was a no-brainer. We joined the left-most line and enjoyed a warm day in the shade.

Once it got close to doors opening, the order began to disintegrate a little. People from the back or people who hadn't been in line at all, attempted to move forward and circumvent those of us who had been waiting but we were ready. We heckled, jeered and outright blocked most of the rudeness coming forth. But when it came right down to it, trying to get good seats at a Phish show is no different than trying to get home in rush hour in a timely manner - you have to be out for yourself and you have to be willing to move past the slow people in order to get what you desire. I grabbed a guy I knew had been in front of me in line and told him I didn't mean to cut him off so he better keep moving but everyone else, especially the group of kids who successfully cut in ahead of us, I swept past. In this day and age, niceness is a luxury if you ever want to succeed. Sad but true.

And thanks to this attitude, both Jewel and I found perfect seats and it was up to Fred to choose which ones were more perfect. Jewel's seats won but I got the story:

Running in I saw a whole front row in the lowest seating Page-side and one large, shirtless guy guarding it. Now, chances are, he was trying to save the whole row, but it couldn't hurt to try, right? So I run down there and when he sees me, he pushes his hairy chest out and bumbles over.

"These are saved!" he bellows.

"You're saving a whole row?"

"They're saved! Move on."

"No, it's a whole row."

"I've been here since 2:30, get out!"

"Doors just opened, Dude. You obviously haven't been here since 2:30."

You can see where this is going. I'm like a little Yorkshire Terrier who thinks she's a German Shepherd; it makes life interesting. I'm not afraid of a fight because I'm not afraid of a little pain. That night, the only thing I was even slightly afraid of was getting mediocre seats when I'd had them the last two nights. That's what finally got me out of there with a "You're a fucking asshole you Goddamn prick, hope you fall headfirst - can't be any worse, right?" thrown over my shoulder loudly for good measure.

To his credit, he didn't chase me and kick my ass - the seats were that good!

So, Jewel's super spectacular seats were close enough that Jason & I could finally see the band's faces (Fred & Jewel had Rail first night so they enjoyed the seats). I do wish we'd put more effort into good seats on Friday night but at least we got them Sunday. At least I got the chance to see just how much fun the guys were having and how sincere their thanks was. All the joy we felt out in the audience, Trey and Page and Mike and Fish felt onstage.

So they opened that night with one of my favorite songs, a tongue-in-cheek older tune called Sanity and closed with one of my favorite songs, Tweezer Reprise, a call-back to the first night when they played Tweezer. By the time the last song finished, I was finished. I can't imagine having the energy I had in my younger days to go from show to show, spending all day in a car and all night at a show. Those were many, many years ago.

So, after three days and thirteen hours of sleep (4+7+2=Oy), what I hoped would be a good time but not the same as it ever was, was a BWE and I can't wait to go back. Farewell paycheck, farewell vacation days. I hope you saw enough of me in the last four-and-a-half years, Family 'cause if they ain't coming to your town, I'm probably not either.

The Boys are Back.

(my husband's video of the making of the official poster and some of the lot scene, including Pollock miracling a birthday phan)

04 March, 2009

2 Sleeps Till ...

... Hampton.

Oddly, I?ve been hoping lately that when I see Phish in two days, I will not be as impressed as I know I really will be. Meaning, I hope I am pretty Meh about the whole thing. I could surely use all the money and vacation I will continue to spend on this band for other things. Sans Phish, I could release myself from the chains of debt or afford a larger, more convenient home or go someplace fabulous every year for vacation.

I estimate, very roughly, that I have spent over $25,000 seeing this band. When you count the tickets, the plane fares, the hotels, the gas, the rental cars, the purchases in Lot ... it comes up to an insane amount of money that could have been a down payment on a condo back when I was single and prices were reasonable.

The reason Phish is back, of course, is that they want my money. Phish's return isn't quite so noble as missing the music ... they need the money. Times are tough for us all, even the rock stars. And you know what ... I'm going to end up beefing up their bank accounts because what do I need with my hard-earned money? Food? It goes right through me. A roof over my head? Why - summer's coming and I have a large tent. Why shouldn't I invest my portfolio in a prospect so promising as Phish?

I know, I?m aghast at my cynicism too. What is Debbi talking about? She Loves Phish. And I do, I really, really do. But 4 ? years ago, I said goodbye to them and hello to all the other really cool things I could do with my life. I got married in Jamaica, we bought a condo, I got a new, awesome job ? hell, I got a cat! And in that time, I have also managed to visit my family on my own schedule rather than around Phish?s tour dates in the area. When I told my parents that Phish had announced their return, I could hear in their voices a resignation: they knew they would soon be relegated to decreased visitations. What kind of daughter am I?

But let?s face it, I?m not going to get the change I kind of want because you know what I most wanted in these 4 ? years without Phish when I could have been embracing so many other non-musical things? Phish?s return.

Clearly, I am my own worst enemy.

2 More Days!

27 February, 2009

Me Music Part II

Having had my eyes opened by The Dead and how much fun really great, live music can be, the next summer I joined my friends in getting tickets to see the Jamband heir apparent, Phish for one show at Alpine Valley in Wisconsin. We had all been listening to Phish for a few years thanks to the intriguing cover art on Rift, but most of us hadn?t yet seen them live and I wanted to have an experience like the one I?d had with the Dead at Soldier Field.

Alpine Valley is a ski slope in the winter and the trek between the parking lot and pavilion seats is steep ? down into the show, back up at the end when your energy has been completely drained from dancing through two sets. My friend and I were just leaving the beer platform at the border of lawn and pavilion seating when the band took the stage, and I have the most wonderfully vivid memories of taking long, smooth strides down the steep slope to our seats to the beginning notes of My Friend, My Friend.

At the end of the night, after having had the single best time to that point in my life, I realized that the Grateful Dead was just a very wonderful warm-up act for me. I came home from the concert completely rejuvenated and ready to hop on tour.

At the time, I lived in a three-bedroom with three friends from college, one of whom has a fascination with all things shaman. He had a set of animal medicine cards and profiled each of us with them, much as a Tarot reader profiles a client.

I don?t recall each of the individual animals that made up my profile ? perhaps *pt* does? ? but the reading as a whole was pretty spot-on in many ways and my totem animal, the Lizard, was damn accurate for who I was at that time. The card reads as such:

___________________________________________________

Lizard sat lolling in the shadow of a big rock, shading himself from the desert sun. Snake crawled by, looking for some shadow to coil up in and rest. Snake watched Lizard for awhile as Lizard's eyeballs went side to side behind his enormous closed lids. Snake hissed to get Lizard's attention. Slowly Lizard's dreaming eyes opened and he saw Snake.
"Snake! You scared me! What do you want?" Lizard cried.
Snake spit his answer from his forked tongue. "Lizard, you are always getting the best shadow spots in the heat of the day. This is the only big rock for miles. Why don't you share your shade with me?"
Lizard thought for a moment, then agreed. "Snake, you can share my shade spot, but you have to go to the other side of the rock and you must promise not to interrupt me."
Snake was getting annoyed. He hissed, "How could I bother you Lizard? All you are doing is sleeping."
Lizard smiled knowingly. "Oh Snake, you are such a silly serpent. I'm not sleeping. I'm dreaming."
Snake wanted to know what the difference was, so Lizard explained. "Dreaming is going into the future, Snake. I go to where future lives. You see, that is why I know you won't eat me today. I dreamed you and I know you're full of mouse."
Snake was taken aback. "Why Lizard, you're exactly right. I wondered why you said you would share your rock."
Lizard laughed to himself. "Snake," he said, "you are looking for shade and I am looking for shadow. Shadow is where the dreams live."
Lizard medicine is the shadow side of reality where your dreams are reviewed before you decide to manifest them physically. Lizard could have created getting eaten by Snake if he had so desired.

Lizard is the medicine of dreamers. Whether dreamers smoke you or dream you, dreamers can always help you see the shadow. This shadow can be your fears, your hopes, or the very thing you are resisting, but it is always following you around like an obedient dog.
___________________________________________________

Not long after the Phish concert at Alpine Valley, during the days of my roommate T blasting Phish everyday for a couple of hours after work, I first heard the song The Lizards. This was one of the songs comprising Gamehenge, a rock epic written by the lead guitarist for his college thesis.

Not surprisingly, given the elevated levels of my ego, I quickly adopted this song as My Song. Of course, in doing so, I had to ignore lines such as:

The Lizards were a race of people
Practically extinct from doing things
Smart people don?t do

Which isn?t at all difficult to do when the band stops singing and starts into the melody of the last third of the song. Like Harry Hood, like Divided Sky, like so many other songs they have written that don?t depend on the 3-refrain formula, the melody makes the entire song. Whereas the Dead excelled in poetry, Trey Anastasio?s gift is clearly in the notes between the poetry.

I have the most amazing time behind closed eyes at those moments.

The song is one of the rarer songs to catch at a show but I have lucked out and caught it twice, once at a show I brought my Mom to, which I thought was very nice of them. While I don?t feel much like a Lizard anymore, I still feel like the song is My Song and if they were to bust it out at the upcoming Hampton shows next weekend (starting a week from today EEEEEEEEEEEE), I would count myself even luckier than I already am.

01 October, 2008

Drive By Phish Post


(Big Red strutting his stuff onstage)

I actually got a heads-up on the Phish is Back fever a couple of days ago but after so many rumors (both ridiculous and sublime), I pish-toshed this latest one and waited for it to be proven impossible (Trey's on probabtion in Guam or Mike's got a macrame final that day at the local senior center).

Well well, turns out this one is a true rumor and my feelings are almost identical to my friend Mel's. I have a real job now, people. They impose vacation restrictions. It's not like I can just take off and come back later with the cool new Phish shirt.

Oy.

Okay, favorite Phish moment - the 30 seconds between lights down and the first note. That moment of anything can happen, they can play my absolute favorite song right now or they can introduce me to my new favorite song. Whatever happens though, it's bound to be the best night of my life.

How many things in life make you feel like that? I think that's livin' ... L-I-V-I-N


27 July, 2008

Music to My Ears

Our air conditioning is out. Well, not out, per se, but not entirely working, let's say. The ... people ... who put together our condos weren't exactly working on all cylinders (that's me being nice) and so made it practically impossible to reach the filters for our air conditioner. They (the filters) are supposed to be changed 2x a year, we've been here since March, 2005 and this is the first time we've realized we can't reach them because they (the cylinder-less nincompoops - that's me being less nice - that built these condos) put riveted obstacles in the way - to the point where we will have to pay to get these things replaced. It's 86 degrees out there today. Oy.

* * * * * * * * *

On an entirely different subject (I just thought I'd mention the above paragraph so you got a good picture of my environment), I have been inspired to write a post about one of the things closest to my heart: music. But first, let me put some on so I can get further inspired ...

Mmmm Vampire Weekend, hell yea ... let's go.

We'll start with my favorite band of all time and no surprise because in this, I am as normal as a heartbeat: The Beatles. Seriously people, this IS rock music. Everything stems from The Beatles and [rant]don't give me that shit about Elvis or -god forbid- The Rolling Stones. I am firmly in JohnPaulGeorgeRingo camp and couldn't care less about MickDruggie1Druggie2Invisibleman1Invisibleman2 - the Stones would never have left London if not for the initial Invaders: The Beatles.[/rant]

The Beatles are the best selling group in musical history, the Rock and Roll Hall of Fame could have been built on them alone. They enjoyed only one year of success in England before exploding into America and starting an audio revolution that would never again
(yet) be rivaled. With the exception of Yellow Submarine, every album The Beatles released both in the UK and US held the #1 sales positions for multiple weeks. Between 1962 and 1970, The Beatles songs grew from short, Pop-py sing-a-longs to wandering, mind-bending exercises in existentialism - pretty much, as they grew so did their music ... and so did their audience. A young girl who might have screamed her entire way through a concert in 1964 would later be tripping face to "Dear Prudence" or "I Am the Walrus" as she enjoyed the farther reaches of her wild oats. I believe that is one of the most amazing legacies of The Beatles, that they could grow with their fans and avoid being looked upon as "a band I liked when I was young" of which there are SO MANY. And that they could then speak so clearly to those fans' children, of which I am one.

Despite all the great new bands I've been exposed to and fallen in love with in the years since I first built my appreciation for The Beatles, I will always consider them my favorite because they will always be the best. They are the Michael Jordan of rock and roll.

Holding the second spot in my heart, and a close second at that, is Phish. For this one I have my college friends to thank. One friend brought over the album "Rift" one night in our last week at school. He bought it for the album art and thank God for great album art because Phish pretty much defined my 20s and early 30s and has infiltrated so many parts of my life, I'd be a completely different person otherwise. I think some people find something a little pathetic about that statement but really, it is no different than saying a god or a faith defines you: it's all subjective, it's all opinion and it's all individual to the person and therefore nobody else's business to judge. I am defined by my faith and that is in music and not in air.

All-in-all, I've seen many Phish shows. We'll leave it at that. I could count them down (I have before, I've forgotten before) but the count is for competition purposes only. "Many" is as good a count as any.

My first Phish show was 8/10/1996 at Alpine Valley, WI. It was the first Phish show for many of my friends and, unbeknownst to me at the time because I hadn't yet met him, my husband. The experience and music both had such an amazing impact on me that I came ->thisclose<- less than a week later to heading to Plattsburgh, NY - ticketless and solo - for the tour-ending Clifford Ball Festival. I had my boss on-call, I had a ride from Detroit to NY - I was missing the ride from Chicago to Detroit and that, in the end, was what undid my plans. I still regret that.

Until their quote-unquote end in 2004, I based most of my vacations and family visits around Phish shows which makes me a bad daughter, I know. But they were THAT important to me. I met Jason because of Phish. And when they return (note the when and not if), I will find a way. Despite the facts that I'm in a new job now with a much stricter vacation policy and that we have goals now that require savings accounts and that the economy is such that both driving and flying are financially tough ... I will find a way.

In the meantime, I am satisfying myself with new music that excites me and makes me wish - just a little - that I was in high school now and therefore didn't look quite so silly as a thirty-something woman blasting The Killers or The Raconteurs in public. I have three favorite stations programmed on my car radio that fulfill most of my needs when not on commercial: WDRV for its devotion to the 60s and 70s (and sometimes 80s but only the good 80s), Q101 for its love of the Alternative (which is now mainstream, of course, as alternative must always become one day) and XRT for the blend of both and some new stuff to boot. XRT introduced me to Vampire Weekend which I started playing at the beginning of this (went through that self-titled album then onto Yellow Submarine during The Beatles portion of this posting and now I'm into The Killer Hot Fuss for what probably should be the wrap-up since I am supposed to do other things today).

All-in-all, I would say that of all art forms - even writing, says the writing major - I find more comfort and a Home in music. Some songs can tell a great story while other songs can influence a heartbeat and give my restless toes something to do.
When I was younger, I went everywhere with my walkman (yes, I know that is a brand name but, like xerox and tivo, it has become the term for all in its category and, while I never owned a brand-name Walkman, I did own several of its competitors) and I couldn't even begin to impress upon you how exciting it was for me to graduate to a portable cd player and let's just say that my iPod is my 2nd best friend (behind Jason, of course) and, despite a 60 GB capacity, is nearly full with so much not yet on it. I like music too much for 60 GB to properly express.

There is music I dislike, certainly: a flat twang or an overplayed song (cough-stairway-cough) or what I call noodling which is a state of guitar-play in which the tune meanders hither and thither without actually going anyplace, and the only noodling I will put up with is Trey Anastasio because I know that eventually, he will go somewhere.

But for the most part, music is one of those subjects that I like to keep an open-mind on because I don't want to miss the best stuff each era has to offer by being mired up to the knees in my own era. My inspiration on this is my own mom who opened herself up to my music when I was a teenager and even though I won't have a child to do the same for me, I think I will succeed just fine on my own.

07 July, 2008

Rothbury (This One's Long and I Mean It)


I’ve been having a difficult time describing my experiences this past weekend at Rothbury so I will borrow the words from a headline I found online:


Rothbury: Summer Camp for Adults


We arrived on Thursday, about 2 or 3 in the afternoon. According to the signs on the highway, the next two exits led to the festival so we took the second exit and watched in our rearview mirror as all the rest of the cars behind us took the first. I don’t know if the first exit led to a line as I’ve experienced at past music festivals (Phish’s Big Cypress at 15 hours and Coventry at 14 hours to name a couple) but the second exit was clear sailing all the way through to the security line. Past that we hit a line of cars about a mile long and coasted at a nice clip for less than fifteen minutes into what looked like the Day Camping area on the map we had just been given. That is where they directed us to park and put up camp. I was behind the wheel so I gave myself as much extra space between our car and the one in front of us – now parked to our left - as they would allow – our tent is large enough to have closets so a measly two-to-three feet between the cars wouldn’t suffice.


Turns out the car to our left held only the driver, who had every intention of moving her car to wherever her group of friends was parked as soon as they could send her the emissaries to guide her there. Within another fifteen minutes, we had a good seven-to-nine feet of space between us and our neighbors: the Georgia Boys.

It took us about an hour to get our living tent and our bathroom tent (port-a-johns be damned!) set up, our clothing in the living tent’s closets, the bed inflated (manually) and sheeted, the cooler squared away and the bags that held everything thrown into the back seat of the car at which point we began making friends with the Georgia Boys.

Let me just say, there is something about southern young men and their impeccable manners that makes even the most cynical of people generally happy with society. If these young men had come from anyplace other than the South, their boisterousness would most likely have bothered me at some point during the weekend. But that accent, and the individuals themselves … we clearly won the camping neighbor lottery again.


It become clear as the first day wore on, that our campsite was a makeshift campsite, originally intended to only hold the cars of the people coming for the day and not staying through the night, but heavy downpours the day and night before flooded some of the intended camping areas and so the organizers had to improvise. We initially thought we got stuck with a very short straw when we thought the walk to the festival grounds entrance was a good 30-45 minutes but we took a closer look at the map after taking that long walk one time and realized that there was an entrance to the festival grounds just outside our camping area and that’s when we knew the second exit off the highway had been a smart move.

That first day, we took care of some poster-related errands as well as some exploring and that evening, we entered the festival grounds for the first time.


From our entrance (noted on the map at top), we could go to the right and experience the raves and discos and yoga sessions (2 hour-long sessions in the morning: Spiritual Gangsta Yoga) at the Tripolee Domes or go further and wonder at the giant art installation of flying monkeys (more on that later) or step into the giant tent coined The Establishment for environmental discussions and music or even head outside the main entrance near there and hit the General Store for replenishment.

After checking out some of the sights to the right, we took a left from where we first entered and headed to the Ranch Arena, the smallest of the three main stages, but not small by any stretch of the imagination. We caught the last few songs of the Zappa Plays Zappa set and decided to move on and catch the Mickey Hart band. We took a right out of the Ranch Arena area and walked under a banner proclaiming Welcome to the Sherwood Forest. The surrounding pine trees were entirely branchless up to about 20 feet, plentiful and seemingly-ordered in rows to the sides and between the two paths running parallel through the forested area. In various clearings, the Rothbury crew had built large onion-looking pods for people to sit in and chill. (It’s funny, I’ve heard many different names for these “gathering pods” and they are all food-related: one girl called them the big pumpkins, someone else called them the Apples and I think they look like Onions with open segments for people to walk through.) In addition to the Onions, the crew had randomly strung up dozens of hammocks between the trees for intense relaxation. Unfortunately, you had to be a very lucky person to get some swing time on one of them and we had no such luck all weekend long.

About halfway through the Mickey Hart set, we headed back through the forest to catch the Disco Biscuits set. By this point, the sun had gone down (10:30pm sunsets in the middle of summer in north Michigan) and both forest paths were lit up with an abundantly imaginative display of lighting and suspended, black-lit installations that held everyone’s attention (resulting in a lot of collisions and apologies). At that moment, I realized that the long weekend would be well worth the unusually pricey ticket; they aimed to blow every other festival out of the water.


Once we reached the Ranch Arena stage area, we headed up to the sound booth to meet up with a couple friends taping the show. I enjoyed some of the Bisco set but I don’t do very well in crowded situations so after a few songs, I talked Jay into walking out of the crowd with me and finding some food. Various food booths were operated at the perimeters of each main stage field so we found one at the edge of the Ranch Arena that looked good, grabbed our food and drinks and sat down at one of the picnic tables and enjoyed our meal as the Biscuits played.


After we ate, we decided to head back to the Sherwood Court stage to hear a little of the Railroad Earth set but then, once we were there, we realized we were totally bushed and should head back to camp. After a few nights of little sleep and everything we had to do to get ready to go (as well as me getting ready to be unemployed and then employed again), we needed to get a good night in before the sun warmed the tent too much to sleep anymore.


So we ended up back at the camp a little early that night – about 1am. With the campsite so close to the festival grounds, we were rocked to sleep by the remaining Disco Biscuits set.


The next day, Friday, Independence Day, we woke up and joined the Georgia Boys for some early morning beers and conversation. Rothbury and its temporary citizens enjoyed a virtually cloudless sky all weekend so we lathered on the sunscreen and trekked to the first gig of the day at The Establishment, the colorful tent near the main entrance. They were broadcasting a weekly radio show called eTown on NPR from the tent that day with musical guest Michael Franti & Spearhead. We weren’t able to be there for long, though; the floor of the tent was covered in hay and Jason’s allergies began attacking almost immediately. Once the host requested that everyone turn off their cell phones and anything else that might make interruptive noise, we realized that Jason’s sneezing might be too invasive for the live taping.


We walked back to the campsite for a brief visit but then headed back in to the Ranch Arena stage to catch the Tea Leaf Green set that was about to start. I have been grooving on TLG for a couple of years now and am always psyched to see them play – they were a must-catch-set for me and they did not disappoint.


We left the TLG show a little early to head over to The Odeum, the largest of all the main stages where the biggest shows would occur. We wanted to catch some of The Wailers and get decent seating for the Snoop Dog set, sure to pack the field. The walk between the Ranch Arena and The Odeum is a solid fifteen minute hike through Sherwood Forest and beyond. Over the course of the exciting long weekend, we put some serious mileage on our feet.


I enjoy The Wailers very much; I think Bob Marley’s music is some of the very best music there is, and the legacy he left behind in his children and their love for his music is a gift to all the rest of us. When they began playing those first notes to “Three Little Birds”, the first song played after our Jamaican wedding ceremony, I couldn’t help but to tear up while looking over at my handsome husband. Never fails.


We waited through the 45 minute changeover from The Wailers to Snoop, watching as the largest field began to actually fill up. Snoop drew one of the largest crowds the entire weekend and no surprise: Gin ‘n Juice and Lodi Dodi off the Doggystyle album are mainstays in so many different collections. While we waited, the video camera on a large, rotating boom kept focusing on shoulder-riding girls with flimsy tops who didn’t even think twice before baring their breasts on the large screens to either side of the stage. Meh, different strokes for different folks. The next day, the camera found a couple shoulder-riders who politely refused to show their breasts to a bunch of strangers so, thankfully, not every shoulder-rider is a Girls Gone Wild wannabe.


Snoop arrived onstage right about 4:20 riding a totally tricked-out, adult-sized tricycle. His set was as bawdy as it could be and he pulled out a really nice Gin ‘n Juice early on. Three songs in (around 4:30) he called out for an onstage 4:20 break at which point, he took an onstage 4:20 break. He pulled out some new tunes which were a little too R & B for me but it was cool, he can sing too.


We left a few minutes before Snoop’s set ended and headed up to the Tripolee Domes at the other end of the festival grounds to catch a band we knew from Chicago that had won their spot on the Rothbury lineup. Casting Spells consists of a bass and guitar player and the music was pretty good although I miss a drumbeat. The bass player is a friend of a friend that we had met on a few occasions but we barely recognized him since he chopped off his long hair. We did a little catching up afterwards and he gave Jason a poster that he’d brought, hoping we’d be there.


As we were already in the neighborhood, we took the opportunity to head over to the General Store and pick up some necessities and not-so-necessities to take back to the campsite. We hadn’t brought a whole bunch of food since I had been at a loss as to what to bring without having a method to cook. Of course, once there, I recalled all the good things you can bring to camp that don’t require cooking but I didn’t remember any of them when it counted: before we left. So we picked up some snack-y type food at the General Store so we could nosh at home and not have to pay for every bite to eat.


When we got back to the campsite, we met up with the Georgia Boys who were getting ready to leave but had something for us: a steak and marinated, grilled peppers. The steak was delicious but the peppers were something completely out of this world. They gave me the recipe: equal parts vinegar, jerk sauce and evoo, marinade the peppers for 3 days and then grill them till they char. Oh hell yes I will! Gotta love the Georgia Boys.


We didn’t spend too much time back at camp; Jon Fishman was sitting in with Yonder Mountain String Band and we didn’t want to miss the first Phish sighting of the weekend!


I will admit, I do like me some bluegrass music. Perhaps it stems from my father’s love of torturing me with country music in the pre-Walkman days or maybe I just started liking it when I started seeing Leftover Salmon but either way, I was almost as excited for YMSB as I was to see Fishman for the first time since Coventry, if I remember correctly.


Unfortunately, we didn’t catch a whole lot of YMSB, having spent too much time gorging ourselves on steak and peppers. Once we got there, we thread out way through the crowd so we could get close enough to see Jon behind his kit. It was nice to see him again.


After YMSB gave their final bows, we joined the crowd heading from the Ranch Arena stage into Sherwood Forest on the way to the Odeum stage for the two Widespread Panic sets. Our friends were taping this show too, so we headed immediately up to the sound booth to meet up with them.


I don’t usually go crazy for Widespread … I’ve send them several times at several festivals (only once or twice on their own) and they just don’t do it for me. I think they’re talented and I know they have a million fans who adore them but I can’t ever remember a single song of theirs like I can with so many other bands. Nothing gets stuck going round and round in my head. The same could be said for this show. I enjoyed myself while there, danced a lot and had a great time but please don’t ask me what they played or even to hum a little bit because I can’t remember. Nothing got stuck.


Between sets, we headed back to the Ranch Arena stage to catch a little bit of the Of Montreal set because Jason had heard a little bit by them and wanted to check them out. We weren’t there very long – turns out he didn’t really like their music like he thought he would although I was kind of digging on it – but I clearly remember a strange stage show with kids dressed up in strange costumes flitting all about the stage. After a couple songs we headed back to the Odeum to catch the second set of Widespread.


As Widespread left the stage after the second set, we saw the first fireworks pop overhead. Rothbury put on a decent fireworks show – not nearly as great as July 3rd, Taste of Chicago fireworks but pretty good. I saw some new spectacles in the sky that night – amazing how fireworks can assume familiar shapes when the wind is low. I bet the Chinese never envisioned that level of progress to their invention.


Once the fireworks were through, we headed over to the Sherwood Court to catch a little of Thievery Corporation. I saw them at Lollapalooza 2006 and really enjoy their music so I was happy to make a stop to see them here for a little bit. I was pretty tired so while I liked the little bit of Thievery Corporation that we saw, I was ready to head up to the Ranch Arena stage and catch the much-anticipated Primus set.


Primus is one of those bands that likes to add a lot of spectacle to their shows, often in the form of large balloon-like figures on the stage as they play. At Rothbury, they played an amazing set in front of two gigantic, inflatable astronauts. I love Les Claypool on bass; while I think Mike Gordon of Phish is an incredible bass player, Les Claypool sounds like no other bassist and gives Primus a unique twang that people love so much.


Eventually, it was time to head home and get some sleep. We did not get to go to sleep to the strains of Primus that night as they ended their set before our heads hit the pillows.


The next day, Saturday the 5th, was a day we planned to explore and enjoy the non-musical elements of Rothbury. There weren’t many bands playing that day that thrilled us and we felt there was so much of Rothbury we still hadn’t seen.


We put on our bathing suits and headed out to Big Wildcat Lake, just beyond the Ranch Arena stage area. The weather was hot and humid so we thought it would be phenomenal to cool off in a lake. And it would have been … if the lake hadn’t been half mud and entirely too gross to swim in (which didn’t stop me from swimming in it for a little while.) The problem was that the line for the shower afterward was very long and getting longer with all the line-cutters. We didn’t have the time to stand there all day for me to wash off the mud that was lining the inside of my bathing suit so I had to wash off with wet wipes later at the camp and deal with being a little dirty for the remainder of the festival.


After cleaning off back at the campsite and sitting around a little while enjoying the sun (which I enjoyed far too much according to my lobster-tinged skin), we headed out first to the Ranch Arena stage to catch the last few songs of Gomez (introduced to them by The O.C. … what hasn’t that show taught me??) and then to the Sherwood Court stage to catch Medeski, Martin & Wood before heading back to the campsite to wait out the Dave Matthews set. We still ended up hearing it from our campsite and that was fine, but neither of us really wanted to brave the crowds to listen. We even had the time to grab a nap since we knew we wanted to stay up super late.After the naps, we re-entered the festival grounds and stopped by the Ranch Arena to check out the Sound Tribe Sector Nine set. I had never been a very big Sound Tribe fan; I saw them last summer at Camp Bisco in Mariaville, NY and I left their set unimpressed but I knew so many people who thought they were the greatest band since Phish so I keep giving them chances. And this time it caught. I don’t know why I never really liked them, this time I really liked them.


After a few songs, we decided to head down the to Sherwood Court stage to see The Crystal Method which was the reason we took our naps in the first place. I knew nothing about this band so imagine my surprise when I realized it wasn’t a band, but rather a set of DJs. They spun hardcore techno music in combination with a crazy light show – it was the perfect late-night party.


After awhile, we decided it was time to head back to the Sound Tribe show and get some food and then head back to camp. On the way back to camp, we detoured slightly and headed over to see the Flying Monkeys, an art installation named Homouroboros, at night. When we saw them during the day, it was merely a static sculpture, strange to be sure but the point was hard to make without the motion. So we went back this night to see it in action and it was amazing. The amount of thought that went into that piece – let’s not even discuss the architecture and process – is mind-boggling. Jason has great pictures both static and in action as well as an excellent description on his page of the meaning and action into it; check out Jason's post


Once back at camp, we ran into one-half of the Georgia Boys sitting around and enjoying the late night so we joined them. The other half came back within an hour with 2 girls in tow and the group of us pretty much stayed up till sunrise.


The Final Day.


Sunday was Trey Day, as far as I was concerned. I was unconcerned with any music until 4:15, which was Trey’s starting slot. We started out the day lazing around and then we decided to make a decision about whether we would leave that night or the next morning and that decision-making process took awhile and then we made the decision we would leave that night so the rest of the afternoon we had to kill was devoted to packing up. In the end, this turned out to be an excellent decision as the very first rain on Rothbury fell that night after we left and according to some people, it was pretty violent and made for a muddy pack-up the next day.


So, fully packed and ready to rock the hell out before rocking the hell back home, we walked into the festival grounds for the last time and headed to the very end, the Odeum stage.


Our friends were set up in front of the sound booth so we laid down an extra blanket with them and watched the end of the set before Trey: Rodrigo y Gabriela. Amazing … Phenomenal guitarists. No other instruments, just their two guitars and if you remember, I’m the person that needs a drumbeat? Well they played the drumbeat on the face of their guitars. Fantastic, I would definitely see them again! Got me right into the mood and anxious for Trey’s acoustic set.


So Trey comes out, he’s looking so healthy and happy. Watery blue eyes, face that should be under a hat brim in that sun and a smile as wide as they come. Of course, I instantly start tearing up. I had hoped that his legal troubles would put a fear of something in him and maybe they have because he seems not only on top of his game, but so happy to be playing in the first place. I will say that I wasn’t over-the-top impressed with his set but I was happy with it and when he brought Mike out (Mr. Purple Pants, himself – dude, you’re a guy … no purple pants, no), I was very happy and when he introduced a new song and followed up the introduction with “If only we could find a drummer and keyboard player. But it’s got to start with the songs, so you can be our test audience.” … oh yea, I was over-the-moon ecstatic. He ended it and he wants it to start back up. Hells yea!


The first new PHISH song was a nice little piece called “Backwards Down the Number Line”; I liked it, Mike seemed to enjoy playing it (Mr. Purple Pants and his boppy head). Tom Marshall wrote it and sent it to Trey for his birthday, I thought it was a lovely present.


The second new PHISH song was called “Alaska”. Catchy, will get caught in people’s heads, was okay – if it gets Phish back together I’ll even say it was amazing, best song ever, but in reality, it was okay. I liked it enough.


The sent ended with a nice little acoustic version of “Chalkdust Torture” – with a similar sentiment to “Backwards Down the Number Line” (Can't this wait till I'm old? Can't I live while I'm young?) at which point, Trey encouraged the audience to head over to the Sherwood Court to catch Mike’s set next and then to come back to the Odeum stage afterwards to see Gov’t Mule. So, we dutifully joined the herd and headed over to the Sherwood Court.


One thing stands out in my mind for the Mike set – as much as I love him, he’s a little too country for me, but there was one little, teeny tiny moment that kinda made me stand up and notice: When Trey AND Fishman joined him onstage for the last song. Okay, yea, it wasn’t a Phish song despite the fact that it was a THREE-QUARTER PHISH REUNION but it was fine because it was a Beatles song and I like them as much as I like Phish so if THREE-QUARTERS of PHISH wants to play a Beatles song instead of a Phish song, that’s fine. My only suggestion is to find that keyboard player and put him to work – I think you might have something then.


To wind this up, after Mike, we headed back over to the Odeum stage for the last 2 shows: Gov’t Mule and Phil Lesh. We ended up catching the last couple of Gov’t Mule songs and then only the first set of Phil before we decided we should get on out so we could make it home before 3am. I very much enjoyed Phil’s first set and would have liked to catch the second and had we not packed that day to leave, I definitely would have finished out Rothbury there but I started a new job a day later and needed the time to recuperate before getting back in the real world.


I had the time of my life at Rothbury: heard some great music, met some wonderful people, got my hopes up for a reunion and came out feeling totally invigorated from the whole experience. The organizers clearly put their best feet forward on this festival and accomplished some amazing things. Things that I’ll take away from the festival:


  • The green can is for compost, the orange can is for landfill and if you’re not sure, ask the person wearing the pink ONE shirt next to the cans
  • You can dance to music or you can hula hoop to music or you can do both and look really, really, really cool
  • Marinated, grilled peppers are my new favorite veggie
  • A case of Bud Light should NOT cost $35
  • Don’t swim in Big Wildcat Lake. Just don’t.
  • Bring shade, shade is good
  • Get into the festival grounds when they open and grab the hammock and don’t let go until the day is done. Everyone else is and when in Rothbury…Buy tickets early next year because you are definitely going!

For amazing pictures and videos of the festival, visit Jason’s page